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The Weight of Being Seen

  • Writer: Sifat Parveen
    Sifat Parveen
  • 17 hours ago
  • 5 min read

 

Dr. Sarah Chen had always been invisible in exactly the way she preferred.

Growing up, she'd perfected the art of camouflage: straight A's that never drew attention, achievements delivered quietly, a pleasant smile that deflected deeper inquiry. She'd learned early that being a Chinese American girl meant navigating a narrow corridor—too successful and you were a threat, too struggling and you confirmed stereotypes, too loud and you were aggressive, too quiet and you were a doormat.

So she'd made herself smooth, frictionless, easy to overlook.

Medical school had reinforced the lesson. Be competent but not intimidating. Be confident but not arrogant. Smile when men interrupted you. Never cry. By the time she finished her neurology residency, she'd mastered the performance so completely she sometimes forgot it was one.

Then came the diagnosis.

Multiple sclerosis. Relapsing-remitting. Prognosis uncertain.

The first symptom had been numbness in her left hand during a complex surgery. She'd switched instruments, finished the procedure, then spent three hours in the hospital bathroom trying not to fall apart. The second symptom was vision problems. The third, a weakness in her legs that made her stumble during rounds.

Each new symptom felt like a crack in the careful porcelain of her professional identity.

She tried to hide it. Of course she did. She'd spent her whole life hiding—hiding her exhaustion, her doubts, her father's alcoholism, her mother's depression, every messy human thing that might make her seem less than perfectly competent. What was one more secret?

But MS wasn't interested in her performance.

The day she collapsed in the ICU, in front of colleagues and patients and the chief of surgery who'd never quite believed women belonged in his OR, was the day her invisibility shattered.

Suddenly, everyone was looking at her. Really looking.

The attention was suffocating. Colleagues who'd barely acknowledged her existence now approached with concern that felt like voyeurism. The chief sent flowers with a card suggesting she "take time to focus on health," which they both understood meant early retirement. Her mother called daily, voice thick with worry and something that sounded like vindication—hadn't she always said Sarah was working too hard, sacrificing too much?

The hospital offered her a generous disability package. "No pressure," the HR director said, pressure dripping from every word.

Sarah had become hypervisible overnight, but only as a problem to be solved, a liability to be managed, a tragedy to be pitied. Not as a doctor. Not as a person. Just as a body that had failed to hold up its end of the social contract: to be productive, independent, uncomplicated.

She thought about accepting the package. Disappearing again, this time into the role of sick person, invalid, former doctor whose promise was cut short. It would be easier. Expected. A narrative everyone already knew how to process.

Instead, she did something that terrified her: she insisted on staying.

The accommodations she needed felt like admissions of weakness. A cane for bad days. Permission to sit during long procedures. Scheduled rest periods. Speech-to-text software when her hands didn't cooperate. Each request felt like stripping away another layer of the armor she'd built.

But something strange happened in the exposure.

She discovered that some of her patients—the ones with chronic conditions, with invisible disabilities, with bodies that refused to cooperate—relaxed around her in ways they never had before. They asked questions they'd been afraid to ask. They admitted struggles they'd hidden from "healthy" doctors.

An elderly woman with Parkinson's whispered, "You understand what it's like when your body betrays you."

A teenager with epilepsy said, "You're the first doctor who doesn't look at me like I'm broken."

Sarah realized she'd spent so long trying to be perfect that she'd forgotten how to be human. And in her humanity—messy, struggling, visibly disabled—she'd become a better doctor than she'd ever been when she was invisible.

But the transformation wasn't clean or simple. Some days she resented every stare, every lowered voice, every assumption that she needed help. She missed moving through the world unnoticed. She hated that her body had become public property, subject to commentary, questions, unsolicited advice from strangers about diets and meditation and have-you-tried-yoga.

She especially hated the inspiration speeches. "You're so brave," people said, as if continuing to exist while disabled required some extraordinary courage rather than just being Tuesday.

Then she met James.

He was a physical therapist, blind since birth, who consulted at the hospital. Over coffee one afternoon, Sarah confessed her frustration with the constant visibility.

"Before, I was invisible. Now I feel like I'm performing disability for everyone's consumption. I don't know which is worse."

James laughed, not unkindly. "I've never been invisible a day in my life. People see the blindness first, last, and always. They narrate my entire existence around it."

"So how do you live with it?"

"I decided that if people are going to see me anyway, I might as well be as exactly myself as possible. Not the inspirational blind guy. Not the tragic victim. Not the overcompensating superhuman. Just... me. Complicated, occasionally annoying, absolutely mediocre at cooking, me."

Sarah thought about that. About how she'd spent decades performing a version of herself that was palatable, professional, perfect. How she'd hidden not just her disability but her whole messy humanity—her anger, her ambition, her fear, her joy.

What if the cracks in her identity weren't failures but invitations? Not to perform disability better, but to stop performing entirely?

She started small. She stopped smiling when she wasn't happy. Stopped apologizing for needing accommodations. Started admitting when she was tired, when she needed help, when she didn't have answers. She let herself be angry at her body, at the disease, at the medical system that saw disability as disqualification.

She also let herself be whole. A good doctor and a person with MS. Accomplished and struggling. Visible and entitled to privacy. Both diminished by loss and expanded by it.

She started a support group for medical professionals with chronic conditions. She wrote an article about ableism in medicine that got her uninvited from a conference and invited to three others. She fell in love with a social worker who saw her—really saw her, past the performance and the disability both—and loved the complicated person underneath.

Sarah Chen was no longer invisible. But she was no longer performing either.

She was simply, impossibly, herself: cracked and whole, seen and private, disabled and capable, all the contradictions held together by the stubborn insistence that she was allowed to take up space, even the messy, complicated kind.

The fracture hadn't destroyed her identity. It had freed her from it.



About the Author: Sifat Parveen has completed her Diploma in Elementary Education and is currently pursuing a Bachelor of Science at Jamia Millia Islamia. She has a deep interest in literature and creative expression.

 

 

 

 

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JOURNAL PARTICULARS

Title: PYSSUM Literaria: A Creative Arts Journal

Frequency: Bi-annual

Publisher: Dr. Naval Chandra Pant

Publisher Address: 503, Priyanka Apartments, Jopling Road, Lucknow, Uttar Pradesh, India, 22001.

Subject: Literature (poetry, fiction, non-fiction, book reviews, photos, and visual arts) with a focus on Disability

Language: English

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Starting Year: 2024

ISSN: [To be assigned]

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