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Welcome to PYSSUM Literaria: A Creative Arts Journal, an international literary journal committed to celebrating the diverse voices and creative expressions of writers and poets from every corner of the globe.

Prof. Nandini Sahu
Sep 9
3 min read

She passed away. Suka-maa

Suka’s mother. Suka’s, Sakunta’s,

Shakuntala’s mother.

She was the mother earth,

the virtual mother of us six sisters.

In our love, perhaps she couldn’t love enough her

Suka, Shaila and Koili, her own daughters.

 

One day, we flew the nest

making her flounder

 and forever brood.

Today, Sukamaa

(had she any other name? ) died.

 

When a poor taps my car window

at the  red lights of Connaught Place

I have a shudder of relief that

I am not on the opposite side.

The leitmotif of time -- has it

made me such esoteric?

Then who reminds me time and again

of Sukamaa, our childhood

domestic-help, our foster-mother,

the rural poor tribal

the Kondh woman

unschooled, deprived, subjugated

subaltern

one among the crores

that constitute real India?

 

Sukamaa, the  real homemaker

in our suburban household,

she would fight with our

school-teacher-disciplinarian-mother

for being strict with us, would

not mind if my younger sisters

relieved themselves on her lap.

Shy about the criss-cross tattoos

on her rather pretty face (which,

her husband had etched to

make her  less-beautiful, thus, less-desirable!)

she would swear about tales from

her youth, when many a men

were engrossed to have

just a glance of her!

We were the foil set against her

to depict her ugliness

her tattooed face.

 

We felt so purified after

we had disbursed our dirt on her.

We felt so pretty when

 we hoisted straight  across her ugliness.

Her ease adorned her.

Her culpability consecrated us.

Her feebleness made us glimmer with health

her inelegance made us

reason, we had wisdom.

Her inarticulateness made us trust

we were persuasive.

Her poverty kept us lavish.

We sharpened our personality on her,

propelled our charms

with her fragility.

And nodded in the imaginary world

of our power.

 

 

Today

we are sophisticated, articulate.

We confront life with ease

like we did for years

without knowing that it was she

in her ugly, sordid, squalid

haunt, who prayed for us

day and night.

Today we pretend

with decent planning for intelligence.

Reschedule deceptions

and call them a point.

We are coping with the tough

business called life, facing the

predicament of survival

tearing apart the tie

between her and us.

Villages have given way to cities

we have moved

from innocence to experience.

 

Her story is an  incredible mosaic

about a generation, our generation

of the metropolis, the NRIs--

embarrassed of  Sukamaa’s poverty amid

our chaotic urbanization.

Forgetting,

Sukamaa had created that symphony

of  time and place us.

Eating a proper meal was an indulgence

not meant for her, she sensed.

Interposed

between two worlds – her poor

thatched house and our luxurious

apartment – contradicting,

empathizing, appalling, opposing each other.

Her dedication had no master plan

her dream was only to watch

us rising stars in

a galaxy where the privileged

disdain the sprawling slum.

 

Sukamaa’s  silent death inquests. 

Would human goodness

silently triumph someday?

Would we ever get over the fascination

to our  feigning melancholy and

be like her?

 

Isn’t it the conscientiousness of

an unwitting bystander like me

to tell her untold tale amid

all these sagas of quick-fix

T.V channels on yoga, beauty care,

weight loss and wealth-gain?

Isn’t it my moral obligation

to  an unmindful posterity

to tell Sukamaa’s  slum-dog tale?



Prof. Nandini Sahu, Vice Chancellor, Hindi University, West Bengal,India, Amazon’s Best-selling Author, Professor of English and Former Director, School of Foreign Languages, IGNOU, New Delhi, is an established Indian English poet, creative writer and folklorist. She is the author/editor of twenty-three books. Apart from being a double Gold-Medalist during her Graduation and Post-Graduation, Sahu is the recipient of Gold Medal from the Hon’ble Vice President of India for her contribution to English Studies, the Michael Madhusudan Academy Award-2024, Lifetime Achievement Award-2024, Tagore Samman-2025 and Honorary-Fellowship-2025 by International Academy of Ethics, India. Her research interests cover New Literatures, Critical Theory, Folklore and Culture Studies, Distance Education Theory, Hindu Studies, Indian Knowledge Systems, Comparative World Literatures, Children’s Literature and  American Literature.

 
 
 
Apoorva Raman
Sep 9
2 min read

Dusk it was.

A serene, nerve settling lull.

The sky was flaming in a shade of tangerine.

A blush-pink feathered Robin

lay dead on the porch.

The wind was out of breath.

Her throat a cracking scorch.

She felt raw, standing naked in disgust

inches away from the bird.


She heard his footsteps

Her face camouflaged itself in a crooked smile.

He overlooked the brass monkey weather

behind her countenance.

The sky was a blazing lilac now.

He lifted her face,

steering his eyes over the livid, contused flesh

that marked a testimony to the affair

that altered her life.

He elucidated it, his compassion.

He called it endearment.

A common household blunder.


He promised her, protection.

Vowed to love her.


The sky was a hovering dark silver.

She looked and looked at this mortal

bestowing a seething rage. Her face now spilled a bare wasteland consumed in vivacious fire.

She elucidated it, her rage.

She called it assault.

A vexing craze of a predator.

She promised Lilith’s wrath on him.

Vowed to ravage down his entire existence

painted in her black fury.


The sky was smudged with silhouette of ghosts gurgling moonbeams on their faces.

The trigger was pulled.

The sound echoed into an inky smile.

He fell. Fell hard.

She stepped over her wrecker’s body

turned into a Phoenix in flames.

The sky was now a grave tragedy of bland folly.




Apoorva Raman is an independent scholar and was a postgraduate student at the University of Lucknow. Her musings have been published in Rhetorica: A Literary Journal of Arts, Daath Voyage: An International Journal of Interdisciplinary Studies in English, and the International Journal of English and Studies. She is currently exploring her academic interests at the intersection of literature and education. She prefers collecting bookmarks, fallen flowers and dreams.

 
 
 
Sanghamitra Acharya 
Sep 8
2 min read

Why are we concerned about margins? Marginality? And perhaps marginalisation? Perhaps because some of us are more privileged than others on the axes of gender, race, ethnicity, minority status, rurality, class, language, age, social identity and physical ability. Advantaged or disadvantaged positions influence access to resources and opportunities, blocking or enabling the propensity to improve choices, opportunities and rights. This unequal access creates vulnerability and renders individuals and groups weak and without protection. Persons with disabilities (PWDs), especially children, for instance, are disadvantaged, excluded, discriminated against and marginalised. Being unequal, due to denial of access, status, opportunity; and unjust distribution of resources and services, locates them at the margins- for no fault of theirs.The concepts of margins, marginality, and marginalisation explain how individuals and groups are pushed to the fringes of society. Margin signifies a limit, establishing its perimeter. In a social context, it refers to areas or factions situated on the periphery of dominant dialogue, where perspectives, issues, and life sufferings may go unnoticed or belittled. Therefore, the margin offers a framework to analyse metaphorical, cultural, and spatial aspects of exclusion in each social context. Marginality, the outcome, surpasses geographical boundaries to represent a condition of being situated on the edge, characterised by susceptibility, vulnerability and restricted access to resources, particularly due to social and physical disabilities. At the margins, an individual or group is excluded from mainstream access to resources and dominant power centres. Therefore, its multidimensional nature is not limited to economics. It extends to social, political, cultural, and ecological dimensions. Groups experiencing marginality often lack access to capital, education, health services, and political representation, leading to relative deprivation. The realm of multidimensionality makes marginality systemic in nature, allowing the privileged dominant groups to preserve their power structures. Marginality, therefore, results from a multifaceted interaction of elements contributing to the continued marginalisation of specific individuals or groups, thereby sustaining a recurring pattern of exclusion. As an active process, marginalisation deepens the consequences and further worsens exclusion- of all kinds- social, cultural, spatial, and physical. Deliberate or systemic acts of exclusion marginalise individuals or groups, as evidenced by institutional practices and societal norms. Marginalisation alludes to power dynamics causing docility on the part of the marginalised, and dominance among the privileged and dominant forces (such as discriminatory institutions, social structures, or state policies) that cause the displacementThus, margin, marginality, and marginalisation shape socio-cultural, economic, and political dynamics of human societies. Understanding these ideas is vital for analysing inequality and structural exclusion. These concepts capture the complex dynamics between exclusion and inclusion, providing valuable insights into the hardships that marginalised communities and individuals encounter. To understand and comprehend the problematic aspects of margin and marginality, it is crucial to critically examine their conceptual foundations and investigate their profound consequences on individuals and groups located on the periphery- the margin.This issue explores the situation, process and outcome of the margin through the contributions received from various quarters. Inviting you to peruse and ponder…



Sanghamitra Acharya 

Chairperson

Centre of Social Medicine and Community Health

School of Social Sciences

JNU, New Delhi



 
 
 

JOURNAL PARTICULARS

Title: PYSSUM Literaria: A Creative Arts Journal

Frequency: Bi-annual

Publisher: Dr. Naval Chandra Pant

Publisher Address: B-503, Priyanka Apartments, Jopling Road, Lucknow, Uttar Pradesh, India, 22001.

Subject: Literature (poetry, fiction, non-fiction, book reviews, photos, and visual arts) with a focus on Disability

Language: English

Publication Format: 

Starting Year: 2024

ISSN: [To be assigned]

Email: literaria@pyssum.org

Mobile No.: 9219908009

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All rights reserved. No part of this publication can be reproduced in any form or by any means without prior permission. 

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